Pete Quinn Davis
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Pete Quinn Davis
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A painted portrait, fixed in the single duration of its making, is met by a process with no such fixity: an algorithmic grid dismantles the image cell by cell, at a pace set in code rather than in paint. The image is repositioned rather than removed, doubled against itself rather than simply mirrored, and the […]

Painted Ground, Erased. Double Projection Looped 

Profile 2025/2026 – single-channel video, 3840×2160, 10 seconds, looped Synthetic coded records of crisis calls, welfare checks, detentions, admissions, discharges, across a period of time. Patterned on the way mental health gets logged, somewhere, by someone, across two anonymised years. Never a specific person, or event, only the shape a system uses to file it…What […]

Profile

Four Channel Projection. 1920×954px wide format for projections. 48kHz / 320k AAC stereo, professional audio standard, gallery ready. Text…..The durational structure, 52 weeks, 52×2 drawings, applied over a painted ground, over two years, insists a relationship is not an event but a process. The relationship between the human and AI is partly what the work […]

14 Seconds

2024/2025 – two-channel video, 1920×1080, 7 seconds, looped The letterform holds still. What fills it doesn’t…..The code here doesn’t understand tragedy. It processes it. Behind every rendered frame sits a chain of extraction — computation, energy, and data gathered from lives that were never asked, a cost usually kept invisible, here left legible. Inside the […]

TRAGEDY

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© Pete Quinn Davis