This series of works explores ways in which the ideas of the archive have become central in visual culture’s investigations of history, memory, testimony and identity. In our transformed, theoretical and critical notions of our own personal archives, as both ideas and as physical presence.

Interventions

This work begins very early on in the practice as a way of being distinct from normal modes of thinking and making, while focusing on personal narrative, there are also associations of political action as well as a shift away from the self-enclosed artwork or medium to open-ended actions, processes and durational projects.

Performance